Archives for posts with tag: painting

This last weekend was a busy and exciting one. Cross Pollination opened on Saturday, an exhibition featuring Jenny McMaster, myself (Natasha Henderson,) Heather Boyd, Keivan Khademi Shamami, and Lauren Trimble. Earth Day was on Sunday. Sunday also was when Jenny McMaster presented a talk about her work at Fleurbain. Hear what Jenny has to say about her work, corsets, and encaustic.

part two:

And here are some of Jenny’s favorite Corset Quotes:

Come and see Jenny’s work and much more at Fleurbain during Cross Pollination. The show runs until June 3, with gallery hours 3-6pm on Saturday and Sunday, or by appointment. 460 st Catherine West, unit 917.

The Mona Lisa.

The Mona Lisa. (Photo credit: Wikipedia)

Remember the good ole days when Bob Ross would guide you, step-by-step, through the process of making a painting? Isn’t it time to revisit such a fun yet methodically satisfying approach to making a beautiful painting?

Painting Create Night is the newest format of *FUN* one-shot, evening workshop where you eat, drink, make merry, and create a stunning painting (no matter what your skill level.)

HOW IT WORKS: You (and a friend or two, highly recommended!) bring yourselves, something tasty you would like to nibble on, perhaps a bottle of wine to enjoy. (We have glasses and a corkscrew!) Over a couple of hours, and your wine and nibbles, Natasha Henderson guides you through the process of making a professionally designed painting. Indeed, you will go home at the end of the night with a finished piece of art.

Theme: FRENCH IMPRESSIONS Date: Friday April 20, 7-9pm
Theme: TUSCANY SUN Date: Saturday May 5, 7-9pm
Theme: BIRDS OF A FEATHER Date: Saturday May 26, 7-9pm
Special Mother’s Day Mom+Me Whimsical Portrait Session on Mother’s Day, Sunday May 13 at 1pm-3pm (perfect after brunch!) Paint you and Mom together. These will be whimsical and light-hearted portraits.

Cost per Painting Create Night is $40 + taxes (works out to $46) per participant. Please note you must be over 18, and anyone who drinks must have a reliable form of transportation home.

Please email fleurbain@gmail.com to register.

I had the great pleasure of visiting Françoise Issaly‘s exhibit Structures the other week during the exhibition’s vernissage.

It is an exhibit of paintings, mostly acrylic on canvas, or smaller works on paper. Her work simultaneously invigorates the eyes, and pauses the mind. Natural forms create something of a meditation for the viewer.

Shapes within the works are organic, yet abstract. There appear to be references to branches, veins, or rivers of water. There are overlapping orbs of cells, dna, and viruses of a creative kind. Issaly’s colors are masterfully natural, vibrant and alive. Subtle glazes and washes build up an incredible, luxe surface. These canvasses create an immersive experience.

I was only able to stay for the beginning of the evening due to a previous engagement, however the crowd was lively, fun, and engaged with the artist. Structures runs until June 1.

Le Meridien Versailles is located at 1808 Sherbrooke West H3H 1E5

catalogue available through Editions FrI

-Natasha Henderson, Montreal

A few years ago, I was captivated by a discussion about a poetic format.

I was jogging with a poet friend and we were discussing this format, the Ghazal. She was describing the formal rules of the poem, and how poets opt to follow, break, bend, and twist those rules. We talked about the deeper meaning of those rules, and how culture and time changes the poetic form. It (the poetic format in question) stays alive by adapting, yet keeping its formalities.

Ghazal Four by Natasha Henderson

I was inspired to make a small series of Ghazal paintings.

To begin and function, I needed to decide how I would express the ideas of rhyming couplets, how to express rhythm. I worked out my system, and began. After and during working on these, I thought and wondered about other poetic forms, and how they would “translate” into painting. I eventually moved on to the Sonnet.

Open Sonnet Three by Natasha Henderson

Using a similar approach, but not so free-formed, I painted lines. I painted the idea of iambic pentameter. I painted in “rhymes” (similar shapes.) Then I went to town. I came up with five different paintings using this form.

Again owing to my creative process, I was thinking ahead while I was focussed on these works. What if I painted specific Sonnets? I grabbed my trusty old book of Shakespeare, and let myself be inspired by specific Shakespeare sonnets. I chose my works, and began each of these new paintings with an oilstick drawing, in response to the poem. I didn’t stick with the “format” idea so much as I had before, rather loosely interpreted in image what I was reading.

Shakespeare Sonnet 65 by Natasha Henderson

After having worked on them for what seemed to be long enough, I decided to let the Poetry Paintings rest for a bit. I painted other bodies of work. I did talk about these paintings with people, I did sell some, I did have opportunities to show them, scattered within group exhibitions. Then, an opportunity came to exhibit them all together for the first time. Once I realised I would be doing this, I immediately began working on another poetic format in painting: the Haiku. With the Haiku, I have opted to be a little pictorial, not so abstract in the painting. There is a hint of either landscape or nature in these poems/paintings. –Natasha Henderson

The exhibition Poetry opens this Saturday 21 January, and runs during regular Gallery Hours 3pm to 6pm Tuesday through Sunday, at Fleurbain until March 1. Please join us for a vernissage this Saturday from 6pm onwards.

Fleurbain is located at 460 St Catherine West, Unit 917.

During this exhibition we will feature a poetry reading (with guest authors) and artist talk on February 4th at 7pm. Stay tuned!

"Cantata" by Natasha Henderson

Intro to Painting: Old Masters Basics:

In this eight-week course, students will learn techniques used in both oil and acrylic painting. Students can choose to paint in either oil or acrylics. (For absolute first-time painters, acrylic is recommended.) Natasha will provide you with a list of supplies you will need to bring, upon registration.

Play, colour theory, illusionperspective, perception, and more will be practiced. The final day will be spent on a field trip to the Musee des Beaux Arts to look at, and talk about, painting. Great painting that will further inspire our hearts, minds, souls, and art.

We will learn by doing and making… and then revel in what we now know. This class will also increase a student’s art-appreciation and knowledge of how painting is created.

The class is held in Fleurbain, at 460 St Catherine Street West, Unit 917. Class is scheduled for Saturday February 4 – Saturday March 24, from 12pm to 3pm. Cost is $316, taxes inclusive. Second Option Announced: Sundays from February 5 until March 25, 12pm -3pm.

Please note class size is limited, so reserve your spot today by emailing fleurbain@gmail.com or drop by the space during Gallery hours, Tuesday-Sunday, 3pm to 6pm.  A non-refundable deposit of $100 is required to reserve a space in the class, with payment of remainder due on the first day. If you would like to pay a deposit via PayPal, check out this page on Natasha’s website.

Looking forward to painting with you!

Natasha Henderson, Montreal

"Impromptu: Fire" oil on wood by Natasha Henderson, 2011

May your new year burn brightly! All the best to you from Fleurbain.

Small Works, the exhibition currently in Fleurbain, has had an effect on me. I spend a few hours each day in the presence of this collection of artworks. There are works by twelve artists (or artistic teams) to enjoy, and it is all food for thought. I like to compare and contrast the different approaches to art-making, media, and what I imagine the individual artist’s inspiration might be. I take all this in, and then process what the works have to say to me, the viewer.

I would like to share a little about each of the artists’ works with you here. Before I begin, I would like to thank each artist for submitting their work to be in this show. I had sent out a call-for-entry a while back, and was fortunate to receive some top-notch submissions. There are forty paintings, prints, photographs, and mixed-media pieces to explore by Montreal’s established and emerging artists.

Carole Arbic - Garden Party series

Carole Arbic‘s pieces in the show are a joy, a description of painting and layers. The colours are bright, but there is subtlety in the combination of them. Two of the Garden Party series feature little pieces of broken mirror, so that the viewer is reflected back to themselves within the piece. This reflects something about art in general; that the understanding of art is dependant upon context and who is looking, perhaps even more than who made it and what their intentions were. In looking at Arbic’s five pieces, it is difficult to not choose a “favorite”, based on colour or painterliness or any other number of influences.

Lorraine Miller Emmrys - "Apple (Falling Into Feminine)"

Lorraine Miller Emmrys has included three pieces in the exhibition. One of the pieces is “larger” but is composed of smaller pieces. Apple – (Falling Into Feminine) is a story. It describes a timeline of youth, change, decay, rebirth: the cycle of life. There is a glimpse into the artist’s ruminations about femininity, about life itself. How do we inhabit our apple, our body, our knowledge? How does that change with time?

Darlene St Georges - "Bee Palm"

Darlene St Georges has created intricate floral botanical paintings that speak of a zen-like observation. To paint in this manner is to leave one’s self and go to another place, and the experience for the viewer can be something of a similar experience. If you allow the painting talk to you, this will happen. Bee Palm is a striking and captivating piece; you want to stay with this flower, and live like a bee.

Natasha Henderson - Pigeon series

Natasha Henderson is me. Now, to talk about pigeons. The pigeon is an amazing, tough, and somewhat endearing little city-bird. I like them, so I opted to paint some. The Pigeon series is my recollection of pigeons, be they singular or seen within a group. In appearance, I love their differences in markings, their subtle colours. In personality, I like their work ethic and how they simultaneously have a sort of laissez-faire attitude.

Francoise Issaly - "Structure Cigale (Small I)"

Francoise Issaly‘s work is beautiful. Again, I feel transported by the zen-like practice and appreciation of painting. In Structure Cigale (Small I), I feel as though I am glimpsing into the heart of a jewel. It is something of a treasure, a feeling of a branch, of something poetic. I have many readings of this painting, and it is the sort of piece to have a good conversation over.

Thaneah Krohn - "Candy Lace"

Thaneah Krohn is sharing a selection of funky, familiar, and sometimes mysterious photographs of Montreal. All five pieces evoke the spirit here. During the vernissage I overheard: “That’s my Montreal!” I would have to agree. For those of us who love this place, we just can’t get enough. Candy Lace is a delicious photo of that gingerbread-styled woodworking you see decorating the old mansions and apartments around town. Often painted bright, happy and beautiful colours they are like candy and bring joy to the day-to-day life of Montrealers. This photo allows us to glance at this joy whenever we feel like…

David Merk - "Tim Lid Coprolithe"

David Merk is sharing some from his Coprolithe series. These marble pieces are fascinating, and thought-provoking. Detritus of contemporary street-stuff find their way into the permanence of marble. Like any archeological finding, the things from the street reveal a bit about our society. A Tim Horton’s lid, discarded work-gloves, and a Second Cup cup are all some of the things used during a typical work-day: objects used and discarded. Art can lift vision and ideas from daily existence, and art resembles and reassembles life. We are reminded of this in Merk’s works.

Kimberley Mok

Kimberley Mok has included terrific illustration-style prints of her drawings. The three pieces depict aspects of this city by a quirky, observant mind. Again, people are drawn to these pieces and ask each other “which is your favourite? And why?” I have my personal one… though all three pieces are appealing. The simultaneity of ideas found in Carpet Moebiusis what I keep coming back to… Carpets, prints, butterflies and Escher… neighbourhoods and rejuvenation. Rebirth and recycling. Very smart.

Michel Pedneault - "Alpe"

Michel Pedneault has paintings that just keep saying new things to me. Interesting in the best of painterly-ways, they are done in an expressionistic manner. I feel a sense of empathy for the subjects of the works, be they human or landscape-based. Alpe is loose, with lively yet soft colours and brushwork. A solid and seemingly effortless composition is practically perfect in a classical sense. As with all painting, this (and Pedneault’s other pieces) are so much better to experience in real life…

Sarina Rahman - "Untitled 1"

Sarina Rahman has included two mixed-media pieces that utilise fabric remnants. The shapes created by the fabric evoke ideas about foliage and natural forms. They are abstract, however, so that the viewer can respond with their own story to the remnants and indications presented by Rahman. There is an examination of the tactility of materials here, and it is difficult to Not Touch The Artworks…

Patrycja Walton - "Falling Petals I"

Patrycja Walton has shared some very lovely abstract paintings with us. The Falling Petals series uses unusual yet harmonious colours in a mix of a sort of white background/base. The petals that fall are chunks of colours, the background is the white. However… like so much in painting, the background isn’t really a background. The negative space is on a level with the “objects”. There is paint, there is an idea of depiction… and again, if you allow yourself, you can be transported to another place.

Julie Webb and Meredith Hayes "Montreal: Une Belle Perspective"

Julie Webb + Meredith Hayes have shared two pieces, and both are captivating as portraits of place. One is Montreal, the other is New Zealand. As Webb is a native of New Zealand, now living in Montreal, this makes sense. Both places feel like “Home”, and this love of both places comes through in the work. The format of presentation is appealing both as a structure (the photographs are cleverly mounted on varying layers of reclaimed MDF board) and as a composition of units. Viewers of the Montreal piece have commented to me about the familiarity of the individual shots, and yet the formal composition speaks of something larger. The greenery of the New Zealand piece is very calming, yet full of life. As I spend more time with these works, new aspects keep coming forward to me.

I am in a place of privilege, allowed to see this exhibition on a daily basis. You can come and see it any of the following times:

Tuesday December 20 to Friday January 6, 3pm-6pm each day. Closed Mondays and New Year’s Eve and New Year’s Day.

Finissage January 7th, 12pm to 6pm

Another option is to check out the online gallery. It isn’t as good as the live-version of the gallery… but you can visit (and re-visit) any time you like.

See us at 460 St Catherine West, Unit #917. Located to the left of Future Shop on St Catherine Street close to both McGill and Place des Arts metros.

Natasha Henderson, Montreal

Structure Cigale (Small I) by Francoise Issaly

Some of Montreal’s artistic talents have come forth to present their gifts… to you. Visit us at Fleurbain during this season to take in some painting, photography and more… not to mention a cup of tea or glass of wine (depending on time of day!)

Garden Party 3 by Carole Arbic

BIG VERNISSAGE: Saturday December 10, 6-9pm
Sunday December 11, 3-9pm (informal fun vernissage part two!)

Tuesday December 13 to Friday Dec 16, 3-6pm each day
Saturday December 17 EXTENDED HOURS 11am to 9pm

Sunday December 18 to Friday December 30, 3-6pm each day except Monday.
Closed Christmas Eve, Christmas, and Boxing Day.

Tuesday January 3 to Friday January 6, 3pm-6pm each day. Saturday January 7th Finissage!!! 12 noon ’til 6pm…

Abundance by Lorraine Miller Emmrys

Work may be purchased and taken away for gift wrapping/giving on the spot. If you can’t make it to the show, or would like to look at individual works again, please see our online gallery

Come join us for some festive fun. Tea’s always on…

All images copyright the artists.

YES! We did it! We opened our doors to the public…

in the midst of the celebration

On November 5th, we had a  party and business-launch and vernissage of art! It was a fabulous evening.

We are proud and happy to announce that we are HERE. You can join us!

Tammy is available for full consultations and mini consultations.  Please email tammy.schmidt.herbalist@gmail.com to book an

Tammy Schmidt, CHT

appointment. Her herbal dispensary is stocked and beautiful.

Tammy is also excited to announce a series of really cool workshops this winter.  Would you like more information?  Email fleurbain@gmail.com to sign up for our newsletter.

private or drop-in painting classes with Natasha Henderson

Natasha is in Fleurbain during regular gallery hours, 3pm to 6pm Tuesday through Sunday. She also is hosting a variety of drop-in and pre-registered workshops in painting, feltmaking, and other creative endeavours. Please call 514-504-3290 or email fleurbain@gmail.com for more details!

Natasha Henderson, BFA

The beautiful Espace Fleurbain is ready for you…

Talk to us about hosting your event, about space rental, about your verdant ideas about life in the city.

Fleurbain is under construction. Fleurbain is moving… moving in, setting up shop, shifting around, clarifying, distilling, and experimenting to compound our knowledge and expertise.

Fleurbain is no longer only a dream and a website… Fleurbain is a site.

We will have a grand ouverture and vernissage soon (probably in early November), but in the meantime we will have small open-houses, host workshops, and meet with our clientelle in the realms of herbalism and art. In coming weeks we will announce regular opening hours, but for now we are available by appointment.

Tammy Schmidt, Clinical Herbal Therapist, is available for appointments through tammy.schmidt.herbalist (at) gmail.com and Natasha Henderson Artist and felt-making crafty Workshop Instructor is available through nhen@videotron.ca. We can both be reached through fleurbain@gmail.com!

See you soon, Montreal!

Tammy Schmidt and Natasha Henderson, Montreal

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