Archives for posts with tag: organic forms

Life Lines. 38″x38″ Oil on canvas. Darlene St Georges

Opening with an evening vernissage next Saturday June 16 at 7pm, please join us and Darlene St Georges for her solo exhibition, From Left to Right.

Darlene’s work is incredible, intricate, thought-provoking and enveloping. As with all excellent painting, it should be experienced rather than just seen.  Washes, glazes, and layers of oil paint create a sublime surface of incredible depths for the viewer.

Of her work, Darlene says:

“I call this selected collection “From Left to Right”. These works explore the form, movement, light and energy of the organic in nature – releasing me into an aesthetic of the epiphany. The intention of these written works are to offer the viewer a point of entry for reflection.

My aim in creating these works was not to represent what I think but rather to explore what I know – somewhere inside me about the essence of things. It has been a process of connecting with my intuition and responding to those moments of epiphany – experiences I have had throughout my life where everything seems to simply connect in a fleeting spark, which alleviates and elevates me. In this position and I am released from the left side that orchestrates the list, schedules and plans that shape my life from day to day, month to month, year after year.

While painting I enter through the right into an alternative space-time dimension; seeing through and beyond into the essence of things. Here, I connect with and develop my intuitive, metacognative and metaphorical knowledge, which activates my imagination and ignites an energy that engages my whole being. For me this is an aesthetic of the epiphany that I can conjure up that affords me with a broader vision of what is possible, which I carry back into the world.”

Flora. 12″x12″ Oil on canvas. Darlene St Georges

Exhibited alongside the paintings will be some of Darlene’s poetry; work that further transports you to another time, thought, and place. This one, in particular, speaks to me about painting, creativity, and being connected to our natural world:

Immutable schedule of something imprecise.
I vanish;
transfixed and motionless, without restraint.
I recapture enchantment and dreams of splendor;
labyrinths of memories wash over my body;
remote cusps and oxygen.

From Left to Right continues to July 7


***
See the online version of the show here.*** Work is all available for purchase, in person or online.

Vernissage June 16, 7-9pm at Fleurbain, 460 St Catherine St West Unit 917

Hours Thursdays 3-6pm, Saturdays and Sundays 12-6pm

See Darlene’s catalogue of the show here.

The Jack Pine (1916–1917) by Tom Thomson, from...

not in either exhibition, however, is related to them

Until March 5, 2011 Eric Cardinal presents Histoires improbables and Jocelyn Philibert shows Dans la nuit at Galerie [sas] in the Belgo Building, at 372 St Catherine Street in Montreal.

I was initially lured into this exhibition by a pencil on paper drawing that bore an organic title and appearance. Fungus no. 2, upon further examination, proved to be composed of a repeated and overlapped Mickey Mouse motif. Eric Cardinal‘s work in Histoires improbables is a range of drawings and sculpture that uses “pop culture” and other findings that may (or may not) be disposable. In his artist statement, he only alludes to his drawings a tiny bit while talking about his sculpture. “… these manipulations seem to be able to initiate a second step in my production where shapes and textures rendered can then be expressed in other materials.” 

Whichever came first, the sculpture or the drawings; both speak of a longing for nature and its forms, twisted with a sense of humour. The drawings appeared to be of one of two types. Organic, morphing ones (like Fungus no.2, which initially drew me into the gallery) were my personal favorites. I’d truly not seen anything like them before, and they held my attention and imagination long after I’d realised what the elements in them all were. The other sort of drawing was something like a fractured, fragmented view of two (or more) simultaneous pictures, usually done in ink. The result of this was something like a jagged checker-board, or a woven paper effect. These were not as evocative or luring as the softer, more evolved, pencil drawings. I was left with the impression that they were part of the process, and that’s cool.

The sculpture was like pop-culture, plastic tree growths. Colourful, playful, beautiful, and somewhat tragic. They melded plain objects (pencils, household items) with repeated Donald Duck or other Disney characters, and finally colourful polyurethane to make these oddities. Note that when I say oddities, I mean original, cool, and tasty art-pieces. 

The Author of this post hides behind a rose

The paintings (oops sorry about that) photographs in Jocelyn Philibert‘s exhibition Dans la nuit are a stunning study of both trees and visual-planes. Philibert photographs trees, or scenes that include trees, at night. He illuminates the scenes from the front, boldly. The work bears a sense of metaphor and theatricality, owing much to the drama of the artificial lighting, as well as the often isolated subject (tree).

My initial reaction to this work was a sense of awe, a feeling of seeing drawings set in nature, drawings by Nature itself. It seemed more real than real.

The next thing I noticed was how the foreground plane comes forward; more so than with naturally lit subjects. I was reminded of layers of oil in an oil painting, layered plexiglass paintings, and even 3-D Cinema.

Philibert’s Lone Tree is elevated (as in much of Canadian art) to a heroic place; it becomes a Being, a reason for portraiture. Think of Tom Thomson’s The Jack Pine. Think of Rodney Graham. Think of Jocelyn Philibert.

Natasha Henderson, Montreal. The two exhibitions finish up on March 5th, so hurry down to see them. Galerie [sas] 372 St Catherine West, open Monday-Friday 9-5, Saturday 12-5.

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